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Rhyme, Rhythm and Repetition

It’s important to keep in mind the importance of individual difference. 


For instance, there’s a case of a Scottish professor who had amazing memory abilities. One of his feats was to recall the value of pi to the first thousand decimal places — a feat he would not have bothered to perform if it had not been “so aeasy”!


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Apparently, he found that simply arranging the digits in rows of 50, with each row grouped in lots of 5 digits, and reciting them in a particular rhythm, made them very easy (for him) to memorize: “rather like learning a Bach fugue”. 


The psychologist who observed him doing this feat said he did the whole thing in 150 seconds, pausing only (for breath) after the first 500. The rhythm and tempo was basically 5 digits per second, with half a second between each group.’


There’s also some evidence to suggest those with musical abilities may benefit more from rhythm, and even rhyme (musically trained people tend to have better verbal skills, and, intriguingly, a 1993 study found a positive correlation between pitch discrimination and an understanding of rhyme and alliteration in children).


The “3 Rs” — rhyme, rhythm, and repetition.


Repetition is essential to memory.


There is sometimes a feeling among novice learners that mnemonic strategies “do away” with the need for repetition. They do not. Nothing does. 

What memory strategies of all kinds do is reduce the need for repetition. But nothing eliminates the need for repetition.


Even experiences that seem to be examples of “one-trial” learning (i.e., the single experience is enough to remember it forever) are probably re-experienced mentally a number of times. 


Can you think of any single experience you had, or fact you learned, that you experienced/heard/saw only once, and NEVER thought about again for a long time, until something recalled it to mind?


It’s a difficult thing to prove or disprove, of course.


However, for practical purposes, it is enough to note that, yes, if we want to remember something, we must repeat it. If we’re using a mnemonic strategy to help us remember, we must include the mnemonic cue in our remembering. 


Thus, if you’re trying to remember that the man with a nose like a beak was called Bill Taylor, don’t omit any of your associative links in your remembering until they’re firmly cemented. 

If the “answer” (nose like a beak = Bill Taylor) pops up readily, it’s easy to not bother with remembering the linking information (beak = bill; pay the tailor’s bill). 


However, if you want the information to stick, you want to make sure those associations are all firmly embedded.


Rhyme and rhythm are mnemonic cues of a different sort, but however effectively you might use them (and if you use them wisely they can be very effective), you still can’t avoid the need for repetition.


The bottom line is, always remember the essential rules of repetition:

– space it out

– space it at increasing intervals

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